Tuesday, 14 December 2010

New Media




•                Pre-internet McLuhan said the world is similar to a village, connected by communication.
•                When we moved away from printing with woodblocks (1450 onwards) printing is more available to the masses.
•                Newspapers and books become a media for info and knowledge.
•                Computers have changed the way we exist and take in info.
•                You can now read newspapers online, this creates a whole new type of experience as forums allow the reader to discuss and comment on his/her thoughts on the story.
•                Democratic technology allows us to change the information we receive.
•                New technology gives one a false sense of freedom and control.
•                Hypermedia can stimulate many senses at once, however some pages can be too busy and ‘dizzying.’
•                With books you engage on every piece of information recorded, however hyperlinks on the net allow the reader to skip through and find exactly what they are looking for.
•                Only a small group are actually in control of what is released to the public on the web.
•                New technology allows for superficial reality tv programs such as the x-factor to be produced.
•                Voting on the TV gives the audience a sense of control.  
•                Radio’s where the viewer calls in allows the caller to put  their views across, but the producer can cut these calls off at any point.
•                However with technology advances, it allows more information to reached by the masses.
•                It means art is no longer elitist.
•                The Benetton campaign is more about politics than advertising. (Dead soldiers uniform.)
•                Leeds 13 Scam - A group of art students pretended that they used their university grant for a drinking holiday and leaked the story to a newspaper. They used mass media to gain status.
•                Pollock's art is supposed to have no agenda or politics surrounding it. However there is a theory that the CIA payed Pollock off to create this Art to promote Americas superiority over Russia.
•                Picasso used mass media to his advantage.
•                Warhol highlights Monroe being a product of society more than her being a person. Marilyn’s face is printed in the same was a Coca-Cola bottles another commodity.

An example of viral advertising...

Mentos & Diet Coke











Modernism

MODERNISM - MODERNITY

  • Progression of modern life becomes accepted, mainly due to the Pre-Raphaelites
  • Urbanisation of the city began to take place
  • Paris was one of the most modern cities in the world
  • Science and philosophical thinking highly developed
  • Looking at the term "post modern"
  • "Paris on a rainy day' - Gustave Caillebotte



  • ^^^^The new cinematic artwork coming from the modern artists
  • Its new, its exciting. & it represents the excitement of the world around them
  • Its not a painting about these people in the frame but more about the changes of the modern world around them.

  • A noticable increase in the division of the classes
  • With the new invention of photography, paintings naturally become more cinematic, representing new changes.






MODERNISM IN DESIGN
  • The modern materials - truth to materials
  • Form follows function
  • Almost speaking the new modern language
  • Moved away from ornamental design
  • The Bauhaus
  • Looking at mass production
  • Harry Beck designed the london underground, looking at a new international form of communication.
  • A new visual language
  • San serif fontSimplicity
  • Purity
  • The new excitement of the modern life characterised through design
  • Creating this new modern world which they want to live in
  • Common language
  • Anti historicism
  • New materials
  • Le Corbusier design of the 'ideal city', 1922
  • Social & culture experience
  • Looking at an improved way of living

Modernist Design


Herbert Baye







Walter Allner, the Bauhaus-trained graphic designer and art director of Fortune magazine from 1962 to 1974...



(Untitled)